Complementary colors are two colors on opposite sides of the color wheel. Designers and artists use them for contrast. Examples include red and green, blue and orange, and purple and yellow.
The Basics of Complementary Colors
The origins of color theory can be traced back to the 17th century, when Sir Isaac Newton used the color spectrum to create a color wheel. This wheel categorizes colors into primary, secondary, and tertiary colors. Primary colors are the foundational colors that cannot be created by mixing other colors, while secondary colors are produced by combining two primary colors. Tertiary colors, on the other hand, are made by mixing a primary color with a secondary color.
Complementary colors, which can be either a primary and secondary color or two secondary colors opposite each other on the wheel, are another important aspect of color theory.
When complementary colors are juxtaposed, they neutralize each other, yielding shades of gray or tonal colors like white and black.
Identifying complementary colors involves understanding the interplay between colors and their opposites. Primary and secondary colors directly facing each other on the color wheel are complementary pairs.
Here are some examples of complementary color pairs on the color wheel:
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Below are some tertiary colors that lie opposite each other on the color wheel:
Mixing Complementary Colors
Red-Orange | (255, 83, 73) | #FF5349 | Blue-Green |
Yellow-Orange | (255, 174, 66) | #FFAE42 | Blue-Purple |
Blue-Purple | (138, 43, 226) | #8A2BE2 | Yellow-Orange |
Red-Purple | (149, 53, 83) | #953553 | Green-Yellow |
Yellow-Green | (154, 205, 50) | #9ACD32 | Red-Purple |
Blue-Green | (13, 152, 186) | #0D98BA | Red-Orange |
Mixing Complementary Colors
Simultaneous contrast, the highest contrast on the color wheel, occurs when complementary colors are placed beside each other. This creates enhanced brightness and captures the viewer’s attention.
Two models illustrate complementary colors:
1. Additive Color Mixing: This digital model uses red, green, and blue (RGB) as primary colors. Complementary pairs include red and cyan, green and magenta, and blue and yellow.
2. Subtractive Color Mixing: Traditional art and printing use the subtractive model. When complementary colors combine, they neutralize, yielding tones like grays and browns. Examples include red and green, blue and orange, and yellow and purple.
Mixing complementary colors creates effective shadows. Adjust a primary color’s vividness by blending it with its complementary hue. Adhere to the color’s complementary counterpart on the color wheel for optimal results.
Famous Examples of Complementary Colors in Art:
1. Vincent van Gogh’s “The Starry Night”
“The Starry Night,” created in 1889, showcases Vincent van Gogh’s unique style and brilliant use of color, including complementary colors. Van Gogh used a complementary color scheme to create a captivating and expressive composition. The dominant colors in the painting are vibrant blues and deep yellows.
The swirling blue sky serves as the backdrop for the iconic cypress tree and the village below. Yellow stars and a crescent moon complement the blue sky, enhancing celestial luminosity and creating a stark contrast.
Henri Matisse created two versions of his painting “The Dance” in 1909 and 1910. Both versions depict figures engaged in a rhythmic and expressive dance. The contrasting colors in the paintings contribute to their energetic and dynamic compositions.
In the 1909 version, Matisse used warm oranges and yellows against cool blues and greens. The figures in the foreground are painted in warm hues, while the background features cool blues and greens. These contrasting colors create movement and harmony within the composition.
The 1910 version of “The Dance” features a different color palette, incorporating a wider range of colors such as reds, pinks, blues, and greens. This variation in hues adds complexity and visual interest to the painting.
Roy Lichtenstein’s “Drowning Girl” is a notable example of his mastery in utilizing complementary colors for visual impact. In this artwork, Lichtenstein effectively employs vibrant red and cyan in a complementary color scheme. The red color dominates the background, while the cyan color is used for the girl’s figure.
The stark contrast created by these colors heightens the emotional tension and drama portrayed in the scene.
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